“It needs to be more transparent,” Wizard stated. “This person won. Why did they win, by what margin, and with what technical details? We have to put in a lot more work to make it more easily understandable.” These may not have been issues organizers or breakers thought of earlier than the Video games, he stated, however with a world of novice and beginner followers tuning in now, it’s one thing that needs to be modified.
Wizard hopes that, going ahead, breakers and the game’s organizers as a complete put a little bit extra work into connecting the game with its hip-hop roots. The connections between rappers, emcees, graffiti artists, and breakers have all gotten blurred as generations have handed, he stated, noting that whereas some rappers got here out as supporting breaking within the Olympics, others referred to as it “wack.” Recognizing the game’s roots within the hip-hop neighborhood, the place breakers would dance on the break or what he calls “the hypest part” of a file, is essential.
“Context and generations have diluted that message over time,” Wizard says, “and it’s the responsibility of anyone with a platform like myself or any other high level breaker to teach that, because if we don’t, we’ll lose it.”
Rahul (left) and Phil Wizard breaking at The Huge Interview.{Photograph}: Tristan deBrauwere
