In March 2022 a person named Tom Fitzharris introduced three letters to the workplaces of The New York Evaluation of Books. They have been a part of a cache of fifty that had been despatched to him by the artist Edward Gorey in 1974 and 1975, all with illustrated envelopes. For nearly fifty years, few individuals had seen the envelopes. Some examples have been included in an exhibit on the Gorey Home in Cape Cod and featured in a New Yorker article in 2002, however that was their final public look.
Fitzharris had been inspired by a good friend to show the envelopes right into a guide, therefore his go to to our workplaces. The three he confirmed us have been jaw-dropping: Gorey’s signature traces (intricate and heavy black) with uncharacteristically giant doses of colour. We rapidly agreed to work on the guide with Fitzharris, and now New York Evaluation Books can be publishing From Ted to Tom: The Illustrated Envelopes of Edward Gorey (Ted was Gorey’s nickname amongst associates) this month, to coincide with Gorey’s one hundredth birthday, on February 22.
It wasn’t simply the envelopes that have been outstanding. Nearly each week whereas we labored on From Ted to Tom, Fitzharris introduced a brand new batch of correspondence, and inside we discovered notecards with quotes from books Gorey was studying (fantastically hand-lettered by him, after all), cheesy postcards, unfastened sketches, a church pew ticket, and typewritten letters. These recommended that Gorey was the identical in his personal writing as he was in his public-facing work: darkly humorous, observant, morbid, curious, and generally light.
Tom Fitzharris
The envelope from the forty-sixth letter that Edward Gorey despatched to Tom Fitzharris, depicting Fitzharris’s new condominium, June 1974
When Fitzharris agreed to incorporate some excerpts from the letters within the guide, I went by way of them extra rigorously. One in all Gorey’s valedictions caught my eye:
Extra of this ultimately. I’ve to attract a crocodile within the sewers of Constantinople.
There have been no crocodiles to be present in any of the opposite letters Gorey despatched to Tom. So the place may this crocodile have been? It made me consider one among my first encounters with Gorey, in my center college library: The Trolley to Yesterday, a young-adult novel by John Bellairs and illustrated by Gorey. The story follows Johnny Dixon, his good friend Fergie, and a Professor Childermass as they time journey on a decrepit trolley to Constantinople in 1453, on the eve of the town’s fall to Mehmed II and his Ottoman forces. There are memorable scenes within the sewers of the previous Byzantine capital, however the guide was printed in 1989, fourteen years after the letters have been written. Plus, I couldn’t bear in mind Johnny and Fergie encountering any crocodiles.
I turned to the brute power of Google: “Gorey Constantinople Sewer Crocodile.” A 2020 put up on the Gorey Belief’s Fb web page revealed every thing. The crocodile had appeared in “La Malle Saignante (The Bleeding Trunk),” the seventh episode of an ongoing, by no means absolutely accomplished venture of Gorey’s referred to as Les Mystères de Constantinople, which had been serialized in, of all locations, The New York Evaluation of Books. I requested our workplace supervisor, Diane, if I may go to the journal’s archive within the basement.
Brittle and yellowed, a number of 1975 problems with The New York Evaluation glared again at me: David Levine portraits of President Gerald Ford (Garry Wills: “Why Ford Wins”) and a fetal Adolf Hitler (Geoffrey Barraclough: “Farewell to Hitler”), the short-lived NYR Double-Crostics, adverts for long-gone literary outfits like High quality Paperback Guide Service, and covers sporting daring blocks of colour and canopy traces that, stacked atop each other, learn like a prose poem:
Sick Japan
Noble Whales
Nihilist Ladies
Cavafy & Modigliani
Overrated: “NASHVILLE”
A fast flip to the desk of contents of the problem I used to be in search of led me to a cartoon with a lady in a sewer escaping the jaws of, in response to the caption, an alligator—not a crocodile. However see for your self: reproduced under is all the run of Les Mystères de Constantinople within the Evaluation, serialized throughout eleven problems with the journal in 1975. Whereas each Alison Lurie and Evaluation senior editor Eve Bowen have famous Gorey’s Mystères in our pages (as Lurie wrote of the serial again in 2000, the “heroine was thought by some to resemble one of the NYR’s editors”), this would be the first time it’s made an look within the journal in fifty years. We’ve performed our greatest with the scans, however admittedly the unique printing was a bit iffy. Get pleasure from! In the event you want me I’ll be within the basement, in search of extra forgotten Evaluation serials and keeping off alligators…
The Mysteries of Constantinople Episode Seven:
The Bleeding Trunk
Picture used with permission of The Edward Gorey Charitable Belief
The title web page for Gorey’s serial, from the Evaluation’s February 20, 1975, difficulty. It reads: “Beginning in the next issue, episode seven: The Bleeding Trunk.”
Picture used with permission of The Edward Gorey Charitable Belief
March 6, 1975
Picture used with permission of The Edward Gorey Charitable Belief
March 20, 1975
Picture used with permission of The Edward Gorey Charitable Belief
April 3, 1975
Picture used with permission of The Edward Gorey Charitable Belief
April 17, 1975
Picture used with permission of The Edward Gorey Charitable Belief
Might 1, 1975
Picture used with permission of The Edward Gorey Charitable Belief
Might 15, 1975
Picture used with permission of The Edward Gorey Charitable Belief
Might 29, 1975
Picture used with permission of The Edward Gorey Charitable Belief
June 12, 1975
Picture used with permission of The Edward Gorey Charitable Belief
July 17, 1975
Picture used with permission of The Edward Gorey Charitable Belief
November 13, 1975
