In our October 17, 2024, problem, Beatrice Radden Keefe takes us to the island of Reichenau, on Lake Constance within the southwest of Germany, the place 1,300 years in the past it’s mentioned that the bishop Saint Pirmin based a Benedictine monastery. In its prime, the abbey was a hotbed of artistic and mental exercise, producing illuminated manuscripts which can be at the moment a number of the most necessary artifacts of the Center Ages. In honor of this anniversary, the Baden-Württemberg State Archaeological Museum in Konstanz is internet hosting an exhibition of the manuscripts, in addition to different fragments—incense burners, bells, stained glass—from the interval. “We see Reichenau as a bright center of power, privilege, and learning, with strict internal routines and far-flung networks,” writes Radden Keefe. “Donations of land from royals and nobles allowed the monastery’s reach to expand far beyond the island, and the riches extracted from these lands funded building works on Reichenau. Around 995 the monk Purchard describes an island covered with churches as the night sky is ornamented with stars.”
Radden Keefe is an artwork historian, focusing specifically on medieval manuscripts and the reception of antiquity within the medieval interval. Along with her scholarly work, which incorporates the e book The Illustrated Afterlife of Terence’s Comedies (800–1200), she writes a publication on Substack, the place she covers topics starting from canine within the Previous Masters’ work to glass portraits in antiquity, Wayne Thiebaud, and the books that seem in modern work.
We e-mailed this week concerning the present false impression of “wackiness” within the Center Ages and the pleasures of museums.
Lauren Kane: What attracted you to artwork historical past, and the medieval interval specifically, as an instructional self-discipline?
Beatrice Radden Keefe: I grew up in a home with a fading print of a web page from the seventh-century Guide of Durrow, which confirmed the Evangelist image for Matthew: a person with massive hair and a checkered cloak. As a toddler I simply assumed the image of Matthew was of my mom (she wore a equally funky coat in Eighties Boston). Maybe it was this conflation greater than something that drew me to medieval artwork historical past and manuscripts specifically—though I’m undecided what it says about my innate iconographical abilities.
After transferring to Switzerland nearly a decade in the past, my very own thought of integration has been to get to know the work of its not-anonymous, post-medieval artists, from the eighteenth-century painter Caspar Wolf to the modern Caroline Bachmann.
What are a number of the misconceptions now we have at the moment concerning the Center Ages?
There’s presumably an excessive amount of emphasis on the “wackiness” of medieval life and thought. How simply we chortle on the goings-on within the margins of Gothic manuscripts, as if the pages had been meant solely to be foolish. When faraway from these borders and used for on-line laughs, the satirical medieval ape—courting or flashing or worse—loses a few of its chew. (I’d like to put in writing concerning the Web’s use of this marginalia one in every of nowadays.) In Walafrid Strabo’s ninth-century poem Hortulus or the revenge comedy Dulcitius by Hrotsvit of Gandersheim, a tenth-century poet and canoness, the writers have interaction with the distant previous and its canon (Virgil for Walafrid, Terence for Hrotsvit) and convey it meaningfully into their current. We would study from them.
What I hope my essay conveyed is how supremely well-connected powerhouses like Reichenau really had been, regardless of all the principles of the cloister that had been meant to maintain the world at bay.
Illuminated manuscripts are a trademark of medieval artwork. Beautiful as they’re, I do discover that, particularly when exhibited all in a vitrine and brought in a single after the opposite, they will begin to really feel daunting and repetitive. Have you ever had that have? What are some entry factors by way of which a novice viewer may start to understand illuminated manuscripts?
I do know what you imply. Manuscripts are an actual problem to show—viewing solely two pages of a e book could make for a considerably unsatisfying expertise. On the Reichenau exhibition, I started to envy the illustrated monks holding all these codices! Museums now typically give guests an opportunity to take a look at greater than a hard and fast double-page unfold by offering digital variations of total manuscripts. As improper as it might appear to take a look at a copy when the manuscript is there within the room with you, these parallel encounters can assist to offer wanted context.
Additionally, within the years since I started to review manuscripts, once I would get very muddled with fiddly and fuzzy microfilm, many helpful sources have appeared on-line. The Walters, the Getty, and the Morgan all have web sites that provide free entry to facsimiles of their manuscripts. And Switzerland has the fantastic e-codices platform. Books that I talk about in my overview, together with the Hornbach Sacramentary and manuscripts from the Stiftsbibliothek in St. Gallen, can all be checked on the market.
Clearly this isn’t the identical as dealing with a manuscript, and there may be in fact nothing higher than the actual factor, which struck me once more once I noticed the gleam of the Petershausen Sacramentary for the primary time in Konstanz. Nonetheless, these surrogates are a option to begin to get to know a complete manuscript and to maneuver by way of its pages wherever and everytime you like, as solely collectors would have been capable of do till just lately. The British Library has began to make its digitized manuscripts accessible once more after final 12 months’s cyberattack, and we’ll quickly get to see their fifteenth-century manuscript of the Commedia that the Liverpudlian newspaperman Henry Yates Thompson used to thumb by way of at dwelling for his “morning bit of Dante.”
I confess I’ve been devouring your Substack, which is artwork historic and freewheeling. What sparks an thought for one thing to put in writing about?
Just a few weeks in the past I noticed A Greater Splash, the marvelous Jack Hazan movie about David Hockney and pals, which repeats the artist’s assertion: “I paint what I like, when I like, and where I like.” I suppose I wished the identical form of freedom in my writing. I began the publication as a option to leap over my shadow and write about topics on which I’m very a lot not an professional and that I want to know higher than I do. I’ve pushed myself to be a bit unfastened within the essays, to let in anachronism and even makes an attempt at humor (nevertheless typically they may fail).
Inform us a bit about museumgoing: Do you favor to wander by way of the galleries or do you first make your option to the massive exhibitions? What curatorial qualities make for a profitable exhibition?
I attempt to see every part that I can, from the crowded blockbuster present to the missed everlasting assortment. I’m within the historical past of museums, and I admire people who haven’t modified all that a lot over time—at one in every of my favorites, exterior Zurich, the one nod to the desires of recent guests is a self-serve espresso machine sitting quietly by the doorway.
I do discover that I get most excited by small, tightly woven exhibitions. I just lately noticed a present within the Swiss metropolis of Chur specializing in only a few eerie, lambent mountainscapes painted by Otto Dix after he misplaced his professorship in Dresden in 1933 and went to dwell in “inner emigration” at Lake Constance.
But it surely needn’t even be a museum. Solely this 12 months I went to take a look at the ninth-century work of the Creation within the splendidly named “Crypt of Original Sin,” a cave within the Basilicata countryside. Following indicators towards “Peccato Originale” was a bit disconcerting, however we obtained there ultimately.
The island of Reichenau as it’s at the moment sounds lush and pastoral and fantastic, even with out the monks churning out manuscripts. Would you be capable to share some journey notes on what it was prefer to be on Reichenau? Was there something that didn’t make it into your essay that you simply want had?
Reichenau is a lovely place. In my overview, I didn’t point out that on a superb day there are views of the Alps to the east, and of a unusually humpy volcanic panorama to the west. However I hope that I didn’t make the island sound too idyllic: producing as many tons of greens as they do there requires a lot exhausting labor.
Oh, I couldn’t discover a place within the piece for a fourteenth-century wall portray within the Church of St. George—not of Christ’s miracles, however of two girls speaking in church as a demon data on a bit of cowhide: “I will write here / of these dumb women / What blah blah is here spoken….” Although I’m not all the time excellent at taking notes or holding a journal, I do like speaking about what I’m seeing, whether or not in a museum or a cave or a church.