Photomontage discovered its voice throughout the interwar years, because of the rebellious Dadaists.
Amongst them was John Heartfield, initially Helmut Herzfeld, who boldly adopted an English-sounding identify to make a degree. By his artwork, he fiercely critiqued the German authorities, utilizing photomontages to satirize politicians in absurd, thought-provoking methods. Heartfield’s works, crafted with scissors and glue, embraced imperfection, combining stark black-and-white imagery with surreal undertones that mirrored Magritte’s fashion. Even as we speak, his provocative montages encourage artists worldwide and have graced fashionable CD and ebook covers, carrying his rebellious spirit into up to date occasions.
h/t: vintag.es
