At this level there’s little to say about Teenage Engineering that hasn’t been mentioned. Each evaluate of the smooth Swedish audio model’s devices commences with a sizzling take that in the end underscores the identical factors: Whereas their gear is quirky and astonishingly costly, it’s robust to hate what they’re doing after they do it so properly.
Inside the synth house, and the broader realm of Very On-line Individuals who make music between bouts of doomscrolling, the Swedish gearmaker features considerably like comic Tim Robinson’s Netflix collection I Assume You Ought to Go away. The ultimate product is proudly defiant idea artwork that’s sensible but additionally type of annoying. It’s critically acclaimed, but clearly not for everybody. And the memes that swirl in its wake are pure gold.
When in comparison with its brethren within the model’s “Field” collection of ultraportable musical units, the TX-6 makes a compelling case for being essentially the most helpful and worthy of its hefty $1,199 price ticket. At its core the TX-6 is a cellular USB-C interface and standalone mixer, with a powerful six stereo ⅛-inch inputs packed right into a sturdy, good-looking little unit that’s smaller than a deck of playing cards. Plug an audio supply into one of many top-mounted jacks and the small black-and-white show asks whether or not you’re utilizing a stereo or twin mono supply. Modify highs, mids, and lows with the cutest little trim pots you’ve ever caressed, and the vertical sliders beneath alter every monitor’s quantity, which outputs to a ¼-inch jack on the backside of the unit.
A white knob below the show display steps gently as you flip it left or proper to regulate the grasp output quantity. A click on of the knob opens up an expansive menu of choices like tempo syncing, Bluetooth connectivity, and defaults settings for the channel knobs. A pair of color-coded FX buttons toggle results like reverb, delay, and EQ, and the shift button unlocks a world of menu diving that lurks beneath the TX-6’s small however mighty floor. The USB-C port presents a driver-free, class-compliant connection to an iPad or the desktop machine of your alternative. It even works seamlessly with an iPhone by means of USB-C to Lightning, through an MFi-certified connection. Insert a thumb drive within the USB-C port and you’ll report a dwell stereo monitor on to the drive from the TX-6’s grasp mixdown channel. You’ll must furnish your individual mic to seize audio on the fly with this technique, however it’s a tad extra sensible than the same workflow you’d discover on the TP-7.
{Photograph}: Pete Cottell
A Teeny Tiny Mixer
It’s no shock the unit’s diminutive measurement necessitates vital tradeoffs {that a} conventional studio-based musician will discover annoying. Plugging in a guitar or a standard microphone requires a converter, and the plastic housing of the typical ⅛-inch connector you’d discover at Amazon or Guitar Heart is a decent match subsequent to the opposite inputs. Pair that with the shortage of 48-volt phantom energy for condenser mics and your finest wager is both an inexpensive lavalier mic with a built-in ⅛-inch output or a newfangled influencer mic just like the Tula or the Austrian Audio MiCreator. Teenage Engineering sells its personal connectors, in fact, with costs starting from $12 for a easy ⅛-inch to ⅛-inch cable, to $19 for a stereo ⅛-inch to dual-mono ¼-inch cable.
{Photograph}: Pete Cottell
