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Reading: Woolens | Leanne Shapton
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Books

Woolens | Leanne Shapton

Editorial Board
Editorial Board Published July 7, 2025
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Woolens | Leanne Shapton
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The summer time has began late, so I’ve been late to fold up the winter blankets and put them away. This article involves you from my annual putting-the-blankets-in-the-closet weekend and covers the artwork and illustrations within the June 12 and June 26 points.

The quilt of the June 12 problem is by the artist Andreas Samuelsson, who lives and works in Gothenburg, Sweden. His work is graphic, flat, sly, and I went looking by means of his archives within the hopes that he may need one thing referring to Tim Flannery’s article about bioelectricity within the human physique, an essay I beloved. I discovered a sketch of lightning bolts Samuelsson had executed, and after I requested him if I might use it, he turned in a extra polished remaining. I like how graphic and stark it appears.


Woolens | Leanne Shapton

For Namwali Serpell’s essay in regards to the reissue of Nettie Jones’s novel Fish Tales, I requested the artist John Brooks, hoping he’d give us certainly one of his finely drawn, technicolor portraits. There aren’t many photos of Jones, so he watched an interview together with her from 2010.

Michael Hofmann wrote in regards to the Russian novelist Andrey Platonov, and after I noticed Platonov’s face, I instantly considered Alain Pilon. Pilon has been doing extra portraits for us recently, growing a method with every task, and this newest I believe is certainly one of his greatest. His work approaches the deadpan, huge quietude of Pierre Le-Tan, my favourite (alas lifeless) editorial portraitist.



I requested Maya Chessman for a portrait of the poet and author Kapka Kassabova for Colin Thubron’s overview of 4 of her books about life within the mountains of southern Bulgaria and North Macedonia. Thurbron describes her as a “migratory pastoralist,” which referred to as to thoughts Chessman’s use of nature imagery and landscapes. I swore the illustrator Christoph Niemann to secrecy after I requested him for a portrait of his buddy, the author Daniel Kehlmann. Susan Neiman had written a really optimistic overview of Kehlmann’s newest novel, and I didn’t wish to spoil the shock.

The collection artwork within the problem, titled “Mix of Function,” is by Leah Horowitz, a Queens-based artist who wrote to me not understanding I used to be already a fan of her work.



I hoped our June 26 cowl might evoke a disparate vary of tales from the problem—democracy, placebos, freedom, translation—so I turned to the Dutch collage artist Ruth van Beek, whose work I’ve been desirous to placed on certainly one of our covers for years. Her artwork is jarring, considerate, inscrutable, so, suffice to say, good for the combination of topics. We landed on an untitled piece of hers from 2014, which the editors all agreed was unusually lovely with out being sentimental.



We obtained the hi-res file of Andreas Gursky’s well-known 1999 {photograph}, 99 Cent, only one hour earlier than going to press. It’s a traditional picture, and it paired properly with David Bell’s essay about freedom and selection. John Broadley is all the time nice with medieval topics, so he was a pure selection for Kathryn Hughes’s overview of Hetta Howes’s e book about medieval ladies, Poet, Mystic, Widow, Spouse. Broadley drew the 4 eponymous archetypes, eliciting delight from our managing editor for drawing Quink-brand ink on the desk of the poet Marie de France.



Kwame Anthony Appiah’s article in regards to the limits and potentialities of translation made me keep in mind a sort collection from a couple of years in the past by the designer and artist Lisa Naftolin. She despatched us a couple of sketches of phrases from Appiah’s textual content, and her remaining picture used three sheets of onionskin to point out the phrases “What,” Poem,” and “Writing.” One other designer, Oliver Munday, learn Marilynne Robinson’s essay about democracy in peril and despatched a pile of sketches, principally variations deconstructing the American flag. We landed on a very vertiginous one.



Gavin Francis’s essay about placebos made me consider a kids’s e book referred to as This Equals That, made by the husband and spouse staff of photographer Jason Fulford and illustrator Tamara Shopsin. After I despatched them Francis’s essay they advised a capsule field stuffed with M&Ms. Easy and ideal. The query of how you can illustrate Michael Kazin’s essay about postwar educational historians had us all a bit stumped, however then I remembered a beautiful Aubrey Levinthal portray from 2022 referred to as Males’s School Assembly that I’d filed away on my pc desktop, hoping we would sooner or later discover a motive to publish it.



I’d made a observe to seek out one thing for the illustrator Jo Turner after she had e-mailed me a couple of instances, so we determined to ask her for a portrait of the Moroccan author Mohamed Choukri, for Ursula Lindsey’s take a look at his life and work. Turner gave us a portrait brimming with references to the author’s milieu and artwork.

The collection artwork within the problem, titled “Fidgets,” is by Matthew Sandager, an artist and animator whose studio is throughout the corridor from mine.



After I folded my woolen blankets and climbed a stepladder to stow them, I pulled out my favourite seaside towels, and now assume I could paint them—for the following publication.

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